Peter Jones – Author & Public Speaker

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Finished?

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redpen
I’ve just finished writing the first draft of How To Start Dating and Stop Waiting.

Some explanation is needed.

When I say ‘first draft’, I mean the version of the manuscript that came into being, whilst I sat here, bashing away at the keyboard, with one eye on my outline. I can tell you now that it’s the very best thing I’ve ever written, and that there’s probably only a couple of minor things that need fixing – perhaps the odd smelling mistake, or formatting error – and then it’ll be ready to be released to the world. Part of me wonders whether I should skip my usual editing process and upload it directly to amazon, once I’ve cobbled together some sort of cover.

Another part of me knows that what I actually have is a nothing more than a collection of loosely associated words. And by words I mean a letters arranged into groups, because many of these so-called words won’t actually appear in any dictionary known to man. Where a genuine word does appear there’s a very good chance that it’s not the one I actually meant to type, or that it appears several times in the same paragraph, or it’s part of a phrase that I’ve used over and over and over again. There will be punctuation and grammar mistakes everywhere. Jokes that don’t work. Formatting errors galore. In short – it’ll be a train wreck. A disaster. And I realise yet again that ‘finished’ isn’t a word that should ever share a sentence with the phrase ‘first draft’.

My mate Vikki Thompson is in a similar position. Having taken part in NaNoWrMo this year she’s looking at a 50,000+ word ‘novel’ and wondering what to do next. And whilst there’s a whole host of writing advice out there, here’s what I do to take my manuscript from first to final draft.

  1. Let it rest – This is a luxury that I can’t always afford, but the truth is getting a little distance between you and your WIP (‘work in progress’ – I hate that expression) helps you to lose the rose-coloured spectacles you were wearing when you found yourself thinking, “hey, this is pretty good stuff.” And by you, I mean of course, me.
  2. Print it. Read it. Mark changes – for reasons that I’ve never been able to fathom errors are easier to spot on the printed page. Once you’ve invested paper and ink into something those stupid swelling mistaks will leap out at you and blow raspberries. But more than that, it’s easier to navigate through a printed document. I take a red pen and start ringing words, striking through whole sentences (and paragraphs), and putting wiggly lines in the margins (which is short hand for ‘meh – probably needs a re-write’).
  3. I make changes.
  4. Print it. Read it (aloud this time). Mark changes – Oddly, reading something aloud is the only way I know to find out if the ‘rythmn’ of the piece is right, whether my sentences are too long, and whether it’s clear who’s speaking. Sometimes I’ll even take a chapter to my local writing group and get someone else to read it whilst I follow along on another copy and mark where things don’t sound right.
  5. I make changes.
  6. Give it to Jules – my assistant Jules is usually the first person (after me) to read anything I’ve written. Having worked together now for many years I know I’ll get a brutally honest opinion. Gone are the days when she’d write a long diplomatic note about how she got a little lost, or “perhaps it could be better still”. Now she’s more likely to strike through an entire page and scribble “bit poncy” in the margin. Often Jules won’t be able to tell me what’s wrong with a particular piece, only that it doesn’t work for her. And that’s fine.
  7. I make changes.
  8. Give it to first readers – I’ll print a couple more copies and send it to people I’ve identified as my trusted ‘first readers’, a crack team of operatives who will give me their honest opinions on anything and everything. For this book that’ll be Wendy Steele and Della Galton. Together they’ll pick up on anything that Jules missed; jokes that still don’t work or can be misinterpreted, bits that ramble on too long, are hard to follow, or simply don’t make sense. Like Jules both ladies know better than to spare my feelings. I’m not looking for encouragement – I’m looking for things to fix!
  9. I make changes.
  10. Send it to my agent – finally, my lovely agent Becky will cast her beady eye over the book. If I’ve done my job well she’ll complain that she couldn’t speed-read the manuscript because she kept slowing down to read it properly. She’ll then send me her changes which are usually more structural in nature, moving elements she feels a publisher would particularly like to the front of the book, and generally making the book more commercial.
  11. I make the final changes.
This entire process will usually takes me longer than it took to write that initial draft, but what I’m left with is usually something I can feel mildly proud of. And for the first time I can finally say, it’s ‘finished’.

To find out more about How To Survive Online Dating and when it should be available subscribe (for free) to this blog.
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Author: Peter Jones

Peter Jones started professional life as a particularly rubbish graphic designer, followed by a stint as a mediocre petrol pump attendant. After that he got embroiled in the murky world of credit card banking. Fun times. Now, Peter spends his days – most of them, anyway – writing. "The Truth About This Charming Man" - published March 2016 - is his second novel. Some say it's funny. Some say it's romantic. Others say it's bonkers. But then they said that about "The Good Guy's Guide To Getting The Girl" (his debut) - who are all these people? Rumour has it that a third funny romantic bonkers novel is just around the corner. He is also the author of three and a half popular self-help books on the subjects of happiness, staying slim and dating. If you’re overweight, lonely, or unhappy – he’s your guy. Peter doesn’t own a large departmental store and probably isn’t the same guy you’ve seen on the TV show Dragons’ Den.

4 thoughts on “Finished?

  1. Well done Peter. Thank’s for the tips on what to do after you’ve completed your first draft. My problem is that I have a first draft already and got bored of it and then moved onto writing another book completely. Although recently I’ve been thinking I have to print it out and read it in hard copy to see if it’s any good.
    I look forward to reading your book when it’s finished 🙂

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    • I know what you mean about ‘being bored with it’. I feel the same way about my novel. I often wonder if we wouldn’t be happier if we went our separate ways. Though it would probably be weird bumping into my old novel, and it’s new author, at writing conferences. Fortunately non-fiction takes less time to write, and publishers are waiting to see it, so the boredom problem isn’t there so much. Leave it for a while Maia (maybe a year) and come back to it after you’ve finished the book you’re now working on. You might be surprised.

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  2. Hi Peter, thanks for the tip,I might let it lie for a bit longer…

    I didn’t know you wrote a novel as well. Perhaps it’s only true with novels not factual books that you get bored of re-reading them.
    I guess for me writing is a sort of therapy, so I like the writing part but not the editing part.

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    • Yep, I wrote the novel long before I wrote any non-fiction. I don’t mind the editing part – maybe it appeals to the very manly pursuit of ‘fixing stuff’. 😉

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